Frustration in Cinema: Ideological Presentation of Dreams

Tulay Celik

Abstract


The article discusses the transformative effect of thefrustration theme through the example of the film Sonbahar. In the field of auteur cinema, where the viewer is not aconsumer but a part of the creative process, the harmony between form andcontent allows the critical, transformative and permanent meanings to emerge. In this study, Sonbahar, a film whichhas the given characteristic elements of this field, is analysed on the axis ofthe form of presentation of the frustration theme. It focuses on the thesisthat the film, owing to its aesthetic structure, contains negation, whichcomplements the form and questioning that will produce permanent meanings, thusrevealing the hope inherent in frustration.

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